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Pierre-Frederic Mal''e''vergne or Pierre-Frederic Mal''a''vergne and Pierre-Frederic Mal''o''vergne (1810, France — 1872, Russian Empire) was a French dancer who worked in Russia. All English-speaking and French-speaking sources call him Mal''e''vergne;〔(Ballet // Paquita )〕〔(Paquita with the Paris National Opera )〕 all Russian-speaking sources call him Mal''a''vergne () or Mal''o''vergne (), .〔(Фредерик с энциклопедии балета. Источник: Балет. Энциклопедия, СЭ, 1981 )〕〔(Электронная народная библиотека )〕〔(Encyclopedia of Russian ballet )〕 The birth name of the dancer name is unknown, he himself preferred to be called by alias ''Monsieur Frédéric'' or ''Frédéric'' (ru: Фредерик). Of his youth nothing is known. Monsieur Frédéric received an invitation from the Russian Imperial troupe and arrived to Saint Petersburg in 1831.〔〔 In these years, Russia has laid the base of culture and arts and invited European experts to aid in this, not skimping on the fees and salaries to Europeans. European specialists have not received compensation in Europe and gladfully visited Russia for big money. Russia's policy was justified, and in the middle of the 19th century Russia already had its own Russian culture, a part of the pan-European culture. Since the tranvel, Monsieur Frédéric’s whole life was in Russia. He was working in Russia for 42 years. Monsieur Frédéric became a solo performer of many parties in ballets of choreographers Charles Didelot, Alexis-Scipion Blache, Antoine Titus, Marius Petipa. He also became a choreographer. His greatest work was ''Paquita''〔〔〔(ru: ПАХИТА )〕〔(ru: Театр «Балет Москва» )〕〔(ru: Пахита (Балет Парижской оперы) / Deldevez and Minkus )〕 together with Marius Petipa in 1847, St. Petersburg (Bolshoi Kamenny Theatre) and 1848, Moscow (Bolshoi Theatre) with Yelena Andreyanova in the main party. Another his well-known work is ''Le Corsaire'' en 1858, after Jules Perrot's chorégraphie, Moscow (Bolshoi Theatre)〔 with Praskovya Lebedeva as Medora. Monsieur Frédéric became the teacher of dance. He taught for many years. Among his students were: Lev Ivanov, Timofei Stukolkin, Marfa Muravyova, Lubov Radina, Alexandra Kammerer etc. In Russia there were two Imperial troupes: in Saint Petersburg and in Moscow, he worked in both, and eventually he was transferred to Moscow. He died in 1872. Some sources〔 attribute his death place to Moscow while other sources〔 state that he died in Saint Petersburg. His death was seen in Russia as a tragedy - everybody knew him, he had a great value for the Russian ballet. An historian of Russian ballet wrote (''Our ballet: 1673-1899''): ''The art of Choreography suffered a great loss in the face of the deceased in Moscow as a dance teacher in the school, old man Frederick Malovergne'' (ru: «Хореографическое искусство понесло большую потерю в лице скончавшегося в Москве учителя танцев в школе, старика Фредерика Маловерн»〔(ru: Александр Плещеев. Наш балет (1673—1896), стр. 206 )〕). ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Pierre Frédéric Malevergne」の詳細全文を読む スポンサード リンク
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